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Your Voice

Our Poem of the Week comes to us from Malta. It’s not easy to write a fresh piece about a topic that’s been written about so much.

Your Voice

I hear your voice 
As you talk on the phone with your friends 
The kindness in your words is convincing
The laughter genuine 
And for a split of a second
I remember 
when you used to speak in the same tone to me
the same sincere laughter 
and I forget
that it’s the same voice 
you use to bludgeon
the insignificant
me

Kristyl Gravina
Zabbar, Malta

Groove Interrupted

Literature is a way for us to have experiences, good or bad, that we have no way to experience for ourselves. Poetry can be especially good at doing this, as demonstrated by our poem of the week, written by California poet, Deborah LaFalle.

     Groove Interrupted  

Huge ‘fros, perfect spheres of nappiness
five deep in M’s ‘60 Chevy Impala
subtle swaying to the silky smooth soul
of the Delfonics on 8-track
Didn’t I blow your mind this time?

Suddenly a siren, flashing red lights
consume the rear window
Our eyes meet each others’
bewildered – What’s up?
M ejects tape

Heavy-set officer approaches
takes the blue stance
“License and registration.”
We know the drill
M obliges

“Where’re you all going?”
“To get something to eat –
dorm cafeteria closed on weekends.”
I’m thinking…
Why should we have to explain?

“Is there something wrong officer?”
“I’ll ask the questions.”
Silence
flashlight beams in our faces
then in our laps

A walk around the car
looking, hoping
to find something
some small shred of evidence
to cite, worst yet – arrest

“Open the glove box.”
M obliges again
Nothing
Officer chucks M his IDs
“Luck was on your side tonight.”

Once back in his squad car
we exhale, M slides tape back in
but we don’t resume the sway
We’re not hungry anymore
Another day of DWB.

     Deborah LeFalle
     San Jose, California

Henry’s Swing Club

Satan bebopped into Detroit
with a wad that would choke
The Four Horsemen of the Apocalypse
with a Saturday Night Special
holding a Full Metal Jacket Load
and with a Hell Hound Harmonica
one of those diatonic harps in the Key of C.

The devil came from Kansas City
and went dashing into Henry’s Swing Club
looking to jam with the hipsters and hustlers
the freakish Maltese Kittens and Fly-Girls
thinking he was DOWN with IT
but truth-be-told he was stickin’ like a Honky.

When Satan riffed back for a 12 Bar Blues
trying to hang with Boom, Boom, Boom, Boom
he got the boot once again off the Tree of Life
went for his Roscoe and got it snatched
came up late on his left-hand raise
and got his ass busted wide open again
for a parade of sinners to march on through
just like in that painting by Hieronymous Bosch.

     Mark James Andrews
     Harper Woods, Michigan

Jazz Funeral

Our poem of the week comes to us, via the winter issue of Third Wednesday, all the way from Norway.

                                    Jazz Funeral  

When my grandmother dies,
               the teacher says
    she deserves a Dixieland funeral,
        so my uncle’s klezmer band plays
When the Saints and the local police
stop traffic as we march
                  behind the hearse, high-stepping,
   bopping umbrellas, walking
the oldest member of our group
      back to a New Orleans
 she will never see again.
                           And I wonder what this town thinks.
               Will it ever know
we lived within it,
   that a world began
            and will end
   without a single public word
         nothing more than an obituary
                                      and a little wild music.

     Allen Jones
     Rogaland, Norway

Spontaneous Human Combustion

 “He burned from the inside out, not the outside in.  Now that’s real
  proof that this phenomenon’s for real.  And we’re all at risk.”
      -Rick Barton (Director of the International ParaScience Center)

Maybe it begins as a singe, cinder
     hissing from within, kindling beneath skin.
           The flush must feel much like lust at first,

           flicker-licks rippling concentric.
     Or perhaps heat skulks in like a childhood
fever, caul-wrapping bonnets of fire.

             Post-mortem pictures depict the same
     grim room: its filth and fifth of gin, its Pall
Mall pack—one smoke left—curtains pulled

tight against noon.  Even in photos, the reek
     seeps through.  Yellow on the window’s
          sill, char-sweet on the carpet in plumes.

Every easy chair can be a pyre.  No
     matter, that our bodies are bodies
          of water.  Forget the bottles of rot-

          gut, the acetone build-up.  The barbiturates,
     and the lit cigs blitzing house-dresses.
These flare-ups are spontaneous, impetuous

     as all of us—bound for ash and about to burst.

                    – Erika Brumett
                      Seattle, Washington

Geode by Caroline Maun

Our Featured Poet in the Winter Issue of Third Wednesday is Caroline Maun.

Caroline is associate professor of English at Wayne State University. She teaches creative writing and American literature and is Director of Graduate Studies. Here is our poem of the week.

Geode

So much cosmic time to fashion
an aggregate of anguish.
We want to smash it open,
stroke the blades of crystal.
This could be your self
halved, your calcified sphere
cleft like a glistening delicacy.
Privacy shattered, exposing
the secluded methods of jewels,
molecules aligning, growing fierce

     – Caroline Maun

Sully’s Hair

Our featured poem for this week appeared in the Fall Issue. It’s by California poet, Kat Lewis.


Sully’s Hair  

The scent of honey drops swirled in milk
billowed from perfect waves of brown hair.
I always tried to convince myself
that Sully’s hair was the color of raisins,
greasy paper bags, or shit, but underneath
all my internalized lies, I knew that it was brown
like hickory, like Devil’s food cake, whiskey,
or grizzly fur. Like my father’s baby grand,
the butt of revolvers. In my boarding school days,
I dragged my fingers through the knots
in her Maker’s Mark locks, and held
the straightener there until I smelled the hair burn.
Even the smoke streaming from the strands
smelled like honeycombs.

 – Kat Lewis
 Berkeley, California

Past Tents

Dream back how you waded
a Montana stream, at each bend
cast brown-bear-blacks

toward the far bank. Until dusk.
Until cold crept in. Fire reflected red
on meadow grass when you got back

to camp. Rainbow alive a few hours ago
sizzled in the skillet, gold stripes
still bright on their sides. Out-fished
again,

you devoured her form layered
by growing shadows where she bent
spatula in hand. Mint along the creek

sent sweet scent into gathering night.
Willows waved themselves
into black pickets around your tent.

Full, the day spent, you were happy
to press against her back
as the moon rose and she slept.

    Timothy Pilgrim
    Bellingham, Washington

From Third Wednesday, Volume  IX, No. 4

3rd Wednesday In

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The Poetry Foundation has formed a partnership with the Library of Congress to support the American Life in Poetry project, an initiative of Ted Kooser, the 2004-2006 Poet Laureate Consultant in Poetry to the Library of Congress.

Third Wednesday is honored to have been the source of first publication for several poems that have been featured by American Life in Poetry.

Aunt Eudora’s Harlequin Romance by Marilyn L. Taylor from Vol. IX, No. 1

Classic Toy by Mary M. Brown from Vol. IV, No. 3

Taos by Jillena Rose from Vol. III, No. 1

Delivered by Cynthia A. Ventresca from Vol. VIII, No. 4

Deer Fording The Missouri In Early Afternoon by Kevin Cole, Vol. VIII, No. 4

Click on the titles to read these great pieces.

Aunt Eudora’s Harlequin Romance

We are honored to have a poem from Volume IX, No, 1 selected by former Poet Laureate, Ted Kooser, for inclusion in the American Life in Poetry series.

Here is Aunt Eudora’s Harlequin Romance by Marilyn L. Taylor, who is an Associate Editor here at 3rd Wednesday.

You can find the original American Life In Poetry column here.