Unpacking the Hours / Katherine Edgren

Katherine Edgren’s latest book, Keeping Out the Noise, is scheduled to be published by Kelsay Books in 2022. In addition to her book The Grain Beneath the Gloss, published by Finishing Line Press, she also has two chapbooks: Long Division and Transports. Katherine has been published in numerous journals. She holds a Masters Degree in Social Work from the University of Michigan, and lives in Dexter, Michigan.

3rd Wednesday Winter Issue

smallFrpmtCoverThe first print issue of our 15th year is in the mail to subscribers and contributors. Click the cover image to download the free digital issue in PDF format. We put some nice stuff in this issue. We hope you enjoy it.

This issue marks a substantial change in the way we publish 3rd Wednesday. We look for ways to expose our contributors to an ever wider audience, and beginning with this issue, the first of our 15th year, each of the poetry pieces included was posted on our website with a brief biography of the contributor as the piece was selected.

Protective Coloration / David Jibson

ProtectiveColorationCoverIn this splendid collection of engaging and unmistakably American poems, David Jibson manages to find beauty in utterly unexpected places: piled up on a back shelf at the Salvation Army Store, for example, or strung along the bedraggled length of the Ohio Turnpike—or perhaps in the lovely, tentative dance of a blind woman learning to walk with a white cane. Along with a faint echo of Ted Kooser or Billy Collins at their conversational best, you’ll be captivated by Jibson’s own irresistible voice: that of a witty, insightful observer of the astonishments that surround us.

Marilyn L. Taylor / Wisconsin Poet Laureate, Emerita

To read David Jibson’s poems is like leafing through a pile of photos of your life and suddenly rediscovering feelings and events you had forgotten or never knew. Each snapshot is replete with carefully selected images organized to create unity and fulfillment. His poems range from trivia to exotic, from people we recognize to those we would like to meet. Topics include science, religion, philosophy, history, music, art, and (the requisite for all good poetry) basic old-fashioned entertainment.

Lawrence W. Thomas / Founding Editor of Third Wednesday Magazine,
Honorary Chancellor, Poetry Society of Michigan




3WYouTubeSee a video reading from Protective Coloration by the author at 3rd Wednesday’s YouTube Channel.

Protective Coloration

The Walking Stick is indistinguishable from his habitat,
as is the Dead Leaf Butterfly, the Pygmy Seahorse,
the Tawny Frog-mouth of Tasmania and the Giant Kelp-fish.

So it is with the poet of a certain age hidden in a corner booth
at the back of the cafe as quiet as any snowshoe hare,
as still as a heron among the reeds.

To Have and Have Not

In the balcony rows where the lovers sit
it’s not so far from heaven
where the beam from a projector
slices the darkness and we,
playing at Bogie and Bacall,
splash ourselves up on the screen,
an etching of a former world,
where we wish we could
live out our lives in two dimensions
in the deep shadows of a darkened theater,
the objects of every envy.

Available Now from Kelsay Books and Amazon:

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3 Books by Leslie Schultz

Available at Kelsay Books, Amazon & Content Bookstore in Northfield, Minnesota.

Leslie Schultz has been a frequent contributor to the pages of 3rd Wednesday Magazine.

Concertina
“Art sings a whole from a world in tatters,” writes poet Leslie Schultz in this remarkable collection. Schultz employs precise poetic forms to locate the “mineral music of our very bones.” The poems proclaim the material world – “the essential necessities… that make dreams real” – to celebrate poetry’s “ethereal alchemy.” Each poem creates a conversation between the poet and her many-layered audience. In “Open for Business,” the writer tells her father, “I’m still listening.” The poet’s voice here is accomplished, formal, witty, strange, and listening hard: to family stories, to nature’s notes, to the rooms of her house, to days “distinct with wonder.” In “Taproot,” a “crown” of 18 sonnets for and about Schultz’s great-great grandfather, each sonnet begins with the last line of the prior sonnet and transforms it to reshape the story. One sonnet turns an assertion to a question: “Can I build as lightly as birds/word shelters for the living and the dead?” This collection says yes. — Susan Jaret McKinstry

Cloud Song
In Cloud Song, Leslie Schultz is a master gardener. The beauty and abundance of her poetry springs from both a generous nature and a cultivated sensibility. Like the couple in her delightful character study “Gilbert’s Hobby,” she tends the “rampant garden” of free verse and the carefully shaped bonsai of formal verse with equal attention and skill. Her poetic garden is filled with sunlight and color and changing weather. What she offers is not an untouched Eden, but a real world populated by deftly-drawn characters existing in various states of fallen grace, a place where the poet’s attention always wanders from ideas of order toward the real beauty of the ephemeral: “sun slipping/behind the western trees, fish/tumbling in sparkles over the dam,/this garden in riots of color and seed.” — Rob Hardy

Still Life with Poppies: Elegies
Still Life with Poppies: Elegies
by Leslie Schultz is what the name implies: bright joy against a sorrowful landscape. Death is everywhere in the world Schultz writes about—its relentlessness, its creativity, its suicidal call. Yet life in all of its various forms continues—some beautiful, some not. Cruelty may show its aftereffects for generations; a harsh set of comments may freeze creativity, at least for a time. While many may become cynical or depressed as a result, Schultz perseveres. Her poems about myth, in particular, are standouts. Schultz also understands in a profound way that the most emotional personal moments are mythical: emblemized by something as simple as plastic fruit in a blue bowl, or as iconic as a childhood home. For the depth of this understanding alone, you should read this book. — Kim Bridgford

Author_Photo_Leslie_Schultz_STILL_LIFE_WITH_POPPIES--ELEGIESLeslie Schultz’s poetry has appeared in Able Muse, Blue Unicorn Journal, Light, Mezzo Cammin, Swamp Lily Review, Poetic Strokes Anthology, Third Wednesday, The Madison Review, The Midwest Quarterly, The Orchards Poetry Journal, and The Wayfarer; in the sidewalks of Northfield; and in a chapbook, Living Room (Midwestern Writers’ Publishing House). She received a Pushcart Prize nomination in 2017 and has twice had winning poems in the Maria W. Faust sonnet contest (2013, 2016). Schultz posts poems, photographs, and essays on her website: www.winonamedia.net.

Watch a video of Leslie reading on 3rd Wednesday’s YouTube channel.3WYouTube

From 3rd Wednesday, Vol XII, No. 1