Contact the poet for readings, interviews, or workshops:
In Our Beautiful Bones can be purchased from Mayapple Press
Contact Zilka through her website about signed copies.
In this splendid collection of engaging and unmistakably American poems, David Jibson manages to find beauty in utterly unexpected places: piled up on a back shelf at the Salvation Army Store, for example, or strung along the bedraggled length of the Ohio Turnpike—or perhaps in the lovely, tentative dance of a blind woman learning to walk with a white cane. Along with a faint echo of Ted Kooser or Billy Collins at their conversational best, you’ll be captivated by Jibson’s own irresistible voice: that of a witty, insightful observer of the astonishments that surround us.
Marilyn L. Taylor / Wisconsin Poet Laureate, Emerita
To read David Jibson’s poems is like leafing through a pile of photos of your life and suddenly rediscovering feelings and events you had forgotten or never knew. Each snapshot is replete with carefully selected images organized to create unity and fulfillment. His poems range from trivia to exotic, from people we recognize to those we would like to meet. Topics include science, religion, philosophy, history, music, art, and (the requisite for all good poetry) basic old-fashioned entertainment.
Lawrence W. Thomas / Founding Editor of Third Wednesday Magazine,
Honorary Chancellor, Poetry Society of Michigan
The Walking Stick is indistinguishable from his habitat,
as is the Dead Leaf Butterfly, the Pygmy Seahorse,
the Tawny Frog-mouth of Tasmania and the Giant Kelp-fish.
So it is with the poet of a certain age hidden in a corner booth
at the back of the cafe as quiet as any snowshoe hare,
as still as a heron among the reeds.
To Have and Have Not
In the balcony rows where the lovers sit
it’s not so far from heaven
where the beam from a projector
slices the darkness and we,
playing at Bogie and Bacall,
splash ourselves up on the screen,
an etching of a former world,
where we wish we could
live out our lives in two dimensions
in the deep shadows of a darkened theater,
the objects of every envy.
Available Now from Kelsay Books and Amazon:
See a Tiffany Babb reading on 3rd Wednesday’s YouTube Channel.
Preorder your copy of A List of Things I’ve Lost.
Leslie Schultz has been a frequent contributor to the pages of 3rd Wednesday Magazine.
“Art sings a whole from a world in tatters,” writes poet Leslie Schultz in this remarkable collection. Schultz employs precise poetic forms to locate the “mineral music of our very bones.” The poems proclaim the material world – “the essential necessities… that make dreams real” – to celebrate poetry’s “ethereal alchemy.” Each poem creates a conversation between the poet and her many-layered audience. In “Open for Business,” the writer tells her father, “I’m still listening.” The poet’s voice here is accomplished, formal, witty, strange, and listening hard: to family stories, to nature’s notes, to the rooms of her house, to days “distinct with wonder.” In “Taproot,” a “crown” of 18 sonnets for and about Schultz’s great-great grandfather, each sonnet begins with the last line of the prior sonnet and transforms it to reshape the story. One sonnet turns an assertion to a question: “Can I build as lightly as birds/word shelters for the living and the dead?” This collection says yes. — Susan Jaret McKinstry
In Cloud Song, Leslie Schultz is a master gardener. The beauty and abundance of her poetry springs from both a generous nature and a cultivated sensibility. Like the couple in her delightful character study “Gilbert’s Hobby,” she tends the “rampant garden” of free verse and the carefully shaped bonsai of formal verse with equal attention and skill. Her poetic garden is filled with sunlight and color and changing weather. What she offers is not an untouched Eden, but a real world populated by deftly-drawn characters existing in various states of fallen grace, a place where the poet’s attention always wanders from ideas of order toward the real beauty of the ephemeral: “sun slipping/behind the western trees, fish/tumbling in sparkles over the dam,/this garden in riots of color and seed.” — Rob Hardy
Still Life with Poppies: Elegies
Still Life with Poppies: Elegies by Leslie Schultz is what the name implies: bright joy against a sorrowful landscape. Death is everywhere in the world Schultz writes about—its relentlessness, its creativity, its suicidal call. Yet life in all of its various forms continues—some beautiful, some not. Cruelty may show its aftereffects for generations; a harsh set of comments may freeze creativity, at least for a time. While many may become cynical or depressed as a result, Schultz perseveres. Her poems about myth, in particular, are standouts. Schultz also understands in a profound way that the most emotional personal moments are mythical: emblemized by something as simple as plastic fruit in a blue bowl, or as iconic as a childhood home. For the depth of this understanding alone, you should read this book. — Kim Bridgford
Leslie Schultz’s poetry has appeared in Able Muse, Blue Unicorn Journal, Light, Mezzo Cammin, Swamp Lily Review, Poetic Strokes Anthology, Third Wednesday, The Madison Review, The Midwest Quarterly, The Orchards Poetry Journal, and The Wayfarer; in the sidewalks of Northfield; and in a chapbook, Living Room (Midwestern Writers’ Publishing House). She received a Pushcart Prize nomination in 2017 and has twice had winning poems in the Maria W. Faust sonnet contest (2013, 2016). Schultz posts poems, photographs, and essays on her website: www.winonamedia.net.
Publication Date: March 1, 2021
Paperback, 104 pages
Nancy Jo Allen proudly announces the release (March 20, 2021) of her first collection of poetry through her publisher Kelsay Books and Amazon. The book is entitled Wrinkles in Time and in Love, and includes the poem “Art” first published in Third Wednesday’s Vol.XI, No. 4 edition.
“Allen’s poems take us on a journey through the difficulties of relationship and identity: daughter, wife, mother, ex-wife, friend, and wife again. At each stage, we’re asked to reconsider our preconceptions and ideals in favor of the lived experience of those realities—a thoughtful and polished collection.”
—Marta Ferguson, former poetry editor for The Missouri Review, and author of Mustang Sally Pays Her Debt to Wilson Pickett
“Nancy Jo Allen’s poems are deeply felt and well crafted. She has an excellent ear and eye.”
—Bruce Taylor is the former Poet Laureate of Eau Claire and host of Off the Page a reading series at the Local Store Gallery.
“Like the haiku, Allen’s poetry captures small moments of life with images from nature. And like a haiku, the collection is perfect in word, rhythm, and line. Through her poems, we travel through the landscape of memory and vicariously touch grief and let it go. We recognize defeat and replace it with contentment. We love again.”
—Lori Younker, author of Mongolian Interior: An Expatriate Experience and Sioux Beside Me, former Columbia Chapter Missouri Writers Guild president, and author and founder of World So Bright.org, a collection of cultural essays.
Click to see a video recording of Nancy reading from Wrinkles in Time and in Love.