Your Place in This World / Jake La Botz

Jake La Botz writes like the bastard spawn of Denis Johnson, Hubert Selby, and Flannery O’Connor. His prose is as haunting and deep as the dark, beautiful, twisted heart of life itself. Your Place in This World is the kind of book you don’t just read, you stop people in the street and tell them they have to read. It’s that kind of good. I loved these stories.

—JERRY STAHL author of Permanent Midnight

La Botz’s dialogue is fierce and kinetic, revealing the back-alley wounds of survival that bloom beneath our skin. He ferries us through Chicago streets with the precision of someone who’s lived every note, every scar, every song. This collection vividly depicts the pulse of finding ourselves through the grit and end- less noise. Get a copy of this brilliant beauty, pronto. Sublime!

—MEG TUITE author of Planked by the Abyss

Jake La Botz’s Your Place in This World has an emotional depth and street-smart verisimilitude reminiscent of works from writ- ers like Saul Bellow, a gestalt of characters on the outs but still moving, still searching for meaning in a changing world. This book announces the arrival of a gifted new voice—a writer whose lyrical sensibility is eerily reminiscent of Kerouac and who understands how the convergence of place, personality, and circumstance can shape lives and destinies. An absolute feat of a debut.

—DANIEL PEÑA author of Bang: A Novel

Jake La Botz’s Your Place in This World is a vibrant and delightful ride through a ramshackle realm occupied by addicts and winos, truants and grifters, cheaters, dreamers, chumps, and bluesmen. This world’s denizens are hungry, urgent, funny, flawed, broken, resilient, and deeply human. In other words, they are us. Their dreams, schemes, and desires will resonate with readers who have at times felt marginalized or misunderstood. In this world there might not be redemption or even luck—just the reality of your existence, the prospect of a new day, and the sublime com- edy of life as you shuffle through the liminal spaces along the fringes of society, maybe, just maybe finding your place.

—LOUIS GREENSTEIN author of The Song of Life

In a collection that is understated and emotionally stunning, Jake La Botz explores the ache and beauty of the dispossessed. He evokes the grit of Chicago, and landscapes beyond, as his characters search for a way to belong. The tonal variations in these stories–from gritty to humorous to magically realistic–– are united by the leitmotif of flawed fathering, which gives a heartfelt and resonant undercurrent to this kaleidoscopic collec- tion. In the titular novella, the protagonist, like Joyce’s Stephen Dedalus, seeks a father figure to guide him, and finds a mentor in a bluesman who is both blessed and cursed by his ability to give voice to those who have passed on. La Botz’s searing details and ear for the longings of our imperfect lives create a collection of stories that shimmer against the dark world they illuminate.

—ELIZABETH ONESS author of The Hopefuls

***

A quirky Chicago kid raised by his junkie dad stumbles upon an unusual Maxwell Street bluesman; a Twelve-Step wannabe swaps addictions to match the support groups that meet in his favorite recovery room; a case of mistaken identity shines a bright light on a city-dweller’s dark past; a self-help seeking couple discover the help is more maddening than their “issues”; a tchotchke thief is overtaken by a force inside a stolen object. What does it mean to find your place in this world? Jake La Botz burrows his way deep into the challenges of revelation, showing how change can bless us and curse us, and ultimately save us.

Your Place in This World can be purchased at: https://www3.uwsp.edu/english/cornerstone/Pages/BOOKS.aspx

See a recorded reading from Jake’s new book on
3rd Wednesday’s YouTube channel:

https://youtu.be/cftvjZlbpWo

The Cabin at the End of the World / Douglas Cole

Douglas Cole has published two novels and eight poetry collections, including The Cabin at the End of the World, winner of the Best Book Award in Urban Poetry and the International Impact Book Award. The White Field, won the 2021 American Fiction Award, and his screenplay of The White Field won Best Unproduced Screenplay award in the Elegant Film Festival. His work has appeared in Beloit Poetry, Fiction International, Valpariaso, The Gallway Review and Two Hawks Quarterly. He also contributes a column called “Trading Fours” to the magazine, Jerry Jazz Musician. He received the Leslie Hunt Memorial prize in poetry, the Best of Poetry Award from Clapboard House, First Prize in the “Picture Worth 500 Words” from Tattoo Highway, and the Editors’ Choice Award in fiction by RiverSedge. He has been nominated Eight times for a Pushcart and Nine times for Best of the Net. His website is https://douglastcole.com.

A recorded reading by Douglas Cole can be found on 3rd Wednesday’s YouTube Channel.
Buy From Unsolicited Press

Many Lives To Go / David August

by David August

A loud noise woke her up, and he woke with her. He could see what she saw: a dirty tent, the mat on the ground where she had been sleeping. He could feel everything she felt, and at that moment, it was mostly fear. People were shouting nearby, their voices filled with despair. One of them cried out her name.

Another terrible noise shook the ground. The bright light temporarily blinded her, so he couldn’t see either. When she opened her eyes again, there was fire everywhere. He choked on the smoke along with her as she struggled to find a way out. But the tent was made of cheap plastic; once it caught fire, there was no escape.

Now, he was stumbling barefoot through the debris, dragging a bucket and searching for water. He laughed at something one of his friends did, and before long, they were all laughing. Distracted as he was, he didn’t noticed the sniper aiming at them from a distance. A precise shot to the head killed him on the spot. The other presence, still confined to his body, had to stay there until the next jump.

Before he knew it, he was on a beach, walking fast and trying to keep up with his father and uncle. A few paces ahead, his father glanced back and yelled, “Hurry up!” His words had barely left his mouth when he vanished into a cloud of smoke and sand.

The blast knocked him down, but he quickly got up and started running. Survival instinct was the only thing driving him forward. His mind had yet to process what had just happened or register his injuries.

He didn’t pause to check if his father was with him, never doubting that he was. But the silent witness inside him, connected to every sensation, knew otherwise. As an experienced veteran, he could identify the drone hunting them down without looking at it. He knew exactly how many seconds it would take to adjust the targeting system for the final strike. He was not wrong.

More final moments kept coming. Being operated on without anesthesia and not surviving. The roof collapsing after the building was hit by a missile. Another sniper shot. Another bombardment. Then another, and another, and another. He couldn’t shut himself off from any of them. He had been able to before, but now it was impossible.

At last, the commander made it back to his hospital bed. He had lost count of how many times this had happened, though he still remembered how terrified he had been when he first arrived. Cancer had finally caught up with him, the one enemy he had never been able to eliminate. Now, however, returning to this sterile room was a relief. It was the only place where he could be himself and face death alone.

A man in uniform was sitting on the couch near the bed. In a feeble voice, the patient asked, “How many more?” The lower-ranking officer stood up quickly and said, “Sorry, General, what did you say?”

“In that last campaign, how many?” the sick man said with difficulty. “How many children did my division kill?”

The other man, who happened to be the general’s nephew, went from looking worried to looking embarrassed. In a soothing tone, he said, “Don’t think about that now. You should try to rest.”

The general narrowed his eyes and demanded, as forcefully as he could, “How many?”

His voice lacked any hint of his former authority. It was only his nephew’s desire to prevent the ailing man from overexerting himself that prompted him to say, “There were twenty unfortunate victims. All accidents, of course.”

“Not the official number, damn it,” the general said. “The real one.”

The junior officer chose to ignore the question. As he turned to sit down again, his uncle grabbed his hand. “How many?” the general insisted, refusing to let go despite having no strength left.

With the utmost reluctance, his nephew replied, “Five thousand.” It was not the correct number – he couldn’t bring himself to say that – but rather a modest estimate.

“Five thousand,” the dying man repeated, bracing himself for another jump. “Five. So … maybe four. Maybe four thousand to go.”

David August lives in São Paulo, Brazil, and works in human rights advocacy. His stories have appeared in 3:AM Magazine, Bright Flash Literary Review, and The Rumen, among others.

Centerpoint / Jane Hertenstein

Centerpoint

After checking Facebook, Instagram, and Tiktok for the 200th time that morning, she decided she needed that new miracle drug. Ozemplic for the brain. She needed to take control.

Yes, the injection started out as a cure-all for another terrible disease: obesity, which was a detour from the original intention to treat diabetes. But researchers had discovered that it also curbed one’s use of the Internet by taking away all interest, as it were, slacking the appetite. The addiction to constantly checking, then after checking the endless scrolling, the doom-scrolling where one sucks up all the bad news like a vacuum cleaner in a black hole. The obsessive looking at the screen of her phone, actually not letting go to put it down, holding it as if it were a talisman against . . . What?

She didn’t know, but she would Google right away. What am I afraid of?

Sometimes, late at night, she’d awake or—more often than not—she’d been unable to fall asleep—and type into her Kindle Fire by the bedside: Tell me the future. Once she asked the universe, more specifically: What is that blurry thing off in the distance that looks like trees waving in the wind? And the ChatGPT came up with an answer: You’re off your rocker.

That’s how it felt. Askew. Does anyone ever use that word anymore? Yes, bounced the bot. 9006884 times a day.

It was her phone that recommended Ozemplic.

The rectangle dinged one morning, and she jumped out of the shower to see a message. She quickly toweled off and sat on the couch wrapped up with nothing else on, rivulets streaming from her head and onto the device screen. Finally someone cared enough to reach out and help. Or something. Never mind.

When did it start? Was it after the unexpected passing of her mother at only age 54? One day she was great, the next she was in the emergency room, and two weeks later dead. Didn’t the universe know that even though she—a college graduate in an only okay job but more importantly with health benefits—perceive that she still needed support. To be able to call her mother up and complain. If her mom called her, she’d complain that she was calling. “I need space, Mom,” she’d say. Well, guess what! She got space and so much more. Loneliness. Now no one calls.

Not even her brother, who disappointed the relatives and her biological father by coming out trans and wearing a dress to the graveside service. He’s got his own fish to fry (according to Grandpa). Her family was too busy with their own stuff to ask what’s up with her. She was considering getting a rescue cat, except she was allergic to fur.

This drug was her chance to get back her life, seize agency, move forward. Despite the side effects.

Dry mouth.
Dry eyes.
Dry vagina. (Oops, maybe this one, but no—there were creams to fix that)
Dry heaves.
Weight loss.
Loss of interest.
Love loss.
Lost (the TV series)
Streaming.
Stream of consciousness.

This was a partial list. She made an appointment

………………………………………………………………………………………………………………………………………………………..

No longer storming out of the shower to the sound of her phone, no longer binging on social media, she was dry. Empty. Her days devoid. From, you name it. Packages of Perfectly Pickled Pups from Trader Joe’s, bread rolls with flakey salt, take out from Ms. Egg Roll. The freezer and coffee table were wiped clean.

The desire for coffee suddenly diminished. She lost the remote for the TV. No more Lost.

Her mornings were a blank slate with only the sun peeking, peeping, creeping across the length of the floor. Toward the bonsai garden, where she daily rakes the tiny pebbles with a miniature rake. Her Word-a-Day calendar introduces palimpsest. A manuscript or piece of writing material on which the original writing has been effaced to make room for later writing but of which traces remain. Truth, she thinks. There are traces, but, at the same time, room for new. She ruminates, Life is every bit like this. Palimpsest.

There’s the morning walk to her car which she never noticed before. The birds that gather in a tree adjoining the bank parking lot. The tree itself, changing according to the seasons. She remarked to the new guy at work, the one glued to his phone in the break room, that the tree was aflame with autumn gold. And he said, What tree?

But later, after work, they both stood in the parking lot and watched the leaves dance the mazurka in the evening breeze. And, even later that month, they drove to the forest preserve with lawn chairs to catch a late afternoon symphony.

Nothing happened. Nothing at all.

…………………………………………………………………………………………………………………………………………………………………………

Jane Hertenstein is a Pushcart nominee whose work has been recognized by the New York Times. She is the author of over 100 published stories both macro and micro: fiction, creative non-fiction, and blurred genre. In addition she has published two MG novels and a non-fiction project, Orphan Girl: The Memoir of a Chicago Bag Lady, which garnered national reviews. Jane is the recipient of a grant from the Illinois Arts Council. She teaches a workshop on Flash Memoir.