Here’s everything you want in poetry. Understandable language—check. Interesting, inventive use of words—check. Topics that reference matters of common interest—check. Insights way beyond the usual—check. Don’t skim this collection. You’d miss way too much that makes our lives meaningful. Enter and walk “unafraid in this new topography.”
—Sharon Scholl, Professor emerita of humanities. Author of Music and Culture, Death and the Humanities, and three chapbooks of poetry
WHEN YOU GET HERE is a celebration of the small, precise details that accumulate, like snowflakes, into a life. It’s a map, guiding us though a landscape of grief, wonder and sensuality, touching all the delicate connections in between. We peek in cupboards, wrestle with lovers, walk on thin ice, followed by a wolf. Every poem reminds the reader to breathe, sense, and feel what it is to be alive.
—Joyce Sweeney, author of Impermanence and Wake up, Finishing Line Press
Here Shutta Crum’s love of language takes us on a fascinating journey, gives us Driving Directions, promises the road knows the way. She opens Father’s Cupboard, lets us see what held his world. She studies A Philosophy of Luminescence in a confining marriage and offers new light. In You Can Have It Back she wants to return the rib taken from Adam and given to woman, for it no longer holds her aright after the death of a poet friend. In What I Bequeath, Shutta says one day her bones will speak a language we will understand. We are fortunate—in this beautiful collection, she speaks clearly to us and we understand.
—Chris Lord, author of Field Guide to Luck and What We Leave, founder of Word’n Woman Press
Shutta Crum’s poems are in Typehouse, Stoneboat, Southern Poetry Review, Beyond Words and 3rd Wednesday. Forthcoming: Main Street Rag. She was nominated for a Pushcart Prize by Typehouse. When You Get Here (2020) won a gold Royal Palm Literary Award. For more info or to book as a speaker: www.shutta.com
A poem in Formal Verse: “
Nancy Jo Allen proudly announces the release (March 20, 2021) of her first collection of poetry through her publisher 
“Robert Lowes addresses with wit and compassion topics we recognize: the body’s betrayals, unfulfilled desires, nostalgia, loss. Lowes’s love of words is apparent in his masterful soundwork and the equal skill with which he depicts the delicate beauty of a butterfly or slams home a devastating judgment on our human failings. A wide-ranging cast of characters wanders through these poems: a woman who keeps chickens, a Neanderthal buying an ax, a man with a fresh haircut, God. 
The Unmapped Worlds in this book extend from history to a way of life centered on European villages to the marginally surreal experience of our own times. The poems are previously uncollected ones enjoying their rediscovery. Whether through the visions of a medieval mystic or the routines that defined existence in a small town on the free world’s edge, David Chorlton reaches for what brought the mind to life in the course of living from day to day. The desert emerges as it appeared to early missionaries and conquerors in the Southwest and comes to bear multiple cultures today. Writing is a journey to the poet, and the work here follows some occasionally surprising side roads for Chorlton. 
Spindrift suggests stuff blown onto beaches, beaches of discovery in one’s mind. When these poems show a squirrel, a fish, birds, a beggar, an Irish pub, or a dish we see these as metaphors which conjure up ideas or feelings from our own familiarity with them. A poem that begins as an abstraction, like an enemy or peace or patience, becomes objectified. Spindrift is comprised of whatever little gems might be found along the shore, examined closely to become part of the reader’s experience. These jottings of spindrift take off from that experience like going to an airport when you want to be someplace else – or like poems which say one thing when they mean another.
Laurence W. Thomas is the founding editor of 
Art Work
Terry Allen was born in Brisbane, Australia. He is emeritus professor at the University of Wisconsin-Eau Claire, where he taught theatre arts. His poems have appeared in numerous journals and he is the author of the chapbook, Monsters in the Rain. He lives in Columbia, Missouri with his wife Nancy.
Third Wednesday Magazine 