Lessons in Geography: The Education of a Michigan Poet / Phillip Sterling

Written and published over a period of forty years, the essays in Phillip Sterling’s Lessons in Geography chronicle how his formative years in Northwest Lower Michigan not only inspired him to be a writer but also profoundly influenced his creative and critical perspectives. Diverse in form, the essays are nonetheless unified in theme: how the geography of a place—the forests, shores, and lakes of Michigan—plays a role in one’s education, imparting knowledge of the wider, human world.

Phillip Sterling is a poet and fiction writer. His books include Mutual Shores (2000), In Which Brief Stories Are Told (2011), Amateur Husbandry (2019), and Local Congregation (2023). He is the recipient of a National Endowment for the Arts Fellowship in Poetry, two Senior Fulbright Lectureships (Belgium and Poland), a PEN Syndicated Fiction Award, and artist residencies at Isle Royale National Park and Sleeping Bear Dunes National Lakeshore. He lives in Lowell, Michigan.

Phillip Sterling was born in the metro Detroit area and raised largely in rural West Michigan. Like earlier Michigan poets/essayists such as Theodore Roethke and Jim Harrison, Sterling, in these lovely essays, explores both the external and interior dichotomies of settled/unsettled and domestic/wild. And like his predecessors, Sterling manages to convey genuine, moving sentiment without becoming sentimental. This is a book about a poet’s sometimes perilous coming of age, and of aging with grace and acceptance. —Sue William Silverman, author of Acetylene Torch Songs: Writing True Stories to Ignite the Soul

Whether writing of his northern Michigan boyhood, ancient trees, Mom’s custard pie, dog bites, Belgian frites (French fries), or the abandoned death camps of Poland, Sterling brings wide-ranging insight, an in-depth sense of history, self-effacing wisdom, and the marvelous double vision of the true memoirist to these essays. His “lessons” build chronologically to depict the development of a writer’s imagination with the deftness that marks his signature poetry, both complex and captivating.  This fine work is a significant contribution to the Great Lakes “Voice.” —Anne-Marie Oomen, author of The Long Fields and recipient of the 2023-24 Michigan Author Award

In Lessons in Geography: The Education of a Poet, Phillip Sterling distills a lifetime of lessons learned in places as varied as an “Up North” Michigan lakeside cottage, a Kentucky college mailroom (where a mysterious sketch and message on a paper bag affirm his identity as a poet), and Liege, Belgium, where he explores the nuances of “mutual understanding” in light of Belgian kissing customs. Whether describing the “roguish” appeal of black licorice or dissecting a recipe for stollen, ingredient by memory-laden ingredient, Sterling mixes keenly observed experiences with fresh perspectives, all rendered with a poet’s sensitive precision. The result is a memoir that transcends mere recollection. —Nan Sanders Pokerwinski, author of Mango Rash: Coming of Age in the Land of Frangipani and Fanta

Phillip Sterling is one of Michigan’s finest and best known poets and fiction writers. In this new collection, he raises the non-fiction bar to a new level. These wonderfully crafted essays are rich with language, alive with memory, and moving with the experiences of a rural everyday Michigan life. I highly recommend this book. Lessons in Geography is one of the most engaging and accessible memoirs I’ve read in recent years, a beautifully written narrative about place and the poetry it inspires. —M. L. Liebler, Detroit poet, editor, and author of Hound Dog: A Poet’s Memoir of Rock, Revolution and Redemption

Stage to Page / James B. Nicola

All the world’s a page, and originates on the stage? That is the provacative question posed by James B. Nicola’s Stage to Page.

s2pCOVERimageBravo! The marvel of James B. Nicola’s substantial collection is how his superb craftsmanship never once muffles the voice of his exuberant stage-struck heart. A warm-hearted, cold-eyed ode to the business known as show. —John Guare

Stage to Page is an exhilarating tour of show business, informed with the poet’s deep and lively involvement in theater. A master of meter and rhyme, James B. Nicola has the power boldly to experiment besides. All of us who care for staged comedy and drama, movies, music, and dance (and who doesn’t?) will cherish this unique and fascinating collection. —X. J. Kennedy

James Nicola’s Stage to Page…is a book for anyone who has waited in the dark, either backstage or out in the house, for the magic to begin, and Nicola’s spells, like Prospero’s, are powerfully transporting. This book is a delight! —David Yezzi

This collection is, like its author, a Shakespearean clown.Thanks for allowing me the pleasure. The book is great. —Rob Corddry

Sprightly, graceful, often wise, these poems both study and inform. James B. Nicola is a light-spirited teacher with much to impart about the stage that is the world. —Rachel Hadas

James Nicola reminds us over and over that live theater is ephemeral… and I think all stage actors live with a quiet terror that, after we strut and fret our hour upon the stage…no one will remember. I think it’s something all human beings wonder. Stage to Page sure made me wonder. —John Cariani

James B. Nicola…entices the goddess of our subconscious lives to “emerge from the sea foam” and holds us spellbound about what goes on behind the scenes and in front of the curtain as he teaches us what it means to be both an actor and an audience. —Christina Zawadiwsky

Stage to Page is the kind of book you will want to relish a few pages at a time. —Philip Fisher

An incredibly insightful, truthful and entertaining series of poems that feels new and familiar at the same time. —Larry Pine

Stage to Page…is irreplaceable. There isn’t anything remotely like it. It’s beautiful. —Austin Pendleton

JBNicola_photo_w_cherrybloomsJames B. Nicola’s full-length collections include Manhattan Plaza (2014), Stage to Page: Poems from the Theater (2016), Wind in the Cave (2017), Out of Nothing: Poems of Art and Artists (2018), and Quickening: Poems from Before and Beyond (2019). His nonfiction book Playing the Audience won a Choice award./ 

Stage to Page: Poems from the Theater
published: Word Poetry/WordTech Communications, 2016 (Cincinnati)
https://www.wordpoetrybooks.com/nicola_stage.html

Quickening: Poems from Before and Beyond / James B. Nicloa

fdce27aa-e208-46e5-8787-d491176a8568Over the course of the 20th Century, T. S. Eliot’s “Hollow Man” finally learned to Howl with Ginsberg, but has since evolved into the 21st Century’s Empty Man—and Woman. Quickening: Poems from Before and Beyond is about a certain hope to answer the existential quagmire of daily life we find ourselves surrounded by: a poetic reminder that the same miracle that made Something to begin with, recurs every moment of our lives. These poems attempt to illuminate, investigate, and celebrate the mysterious place-that-is-no-place where the Center does hold: the moment that brings us from Chaos to Cosmos, from Void to Creation, from Nothing to Everything. . . . Hence the subtitle, for Quickening is a collection of Poems from Before and Beyond –plus what lies between.

James B. Nicola’s full-length cJBNicola_photo_w_cherrybloomsollections include Manhattan Plaza (2014), Stage to Page: Poems from the Theater (2016), Wind in the Cave (2017), Out of Nothing: Poems of Art and Artists (2018), and Quickening: Poems from Before and Beyond (2019). His nonfiction book Playing the Audience won a Choice award.

published by Cyberwit.net, 2019
Order at https://www.cyberwit.net/publications/1217

The Cottage / Laurence W. Thomas

From Finishing Line Press
The Cottage – by Laurence W. Thomas

We all have a dream, an idea of heaven on earth.  For Laurence Thomas the dream is of a simple idyllic life in a cabin in the woods or on a lake.  In The Cottage Thomas lives out his dream through his poems and we get to live the dream with him.  The poems are written with sensitivity and a special devotion to detail. The tranquil mood is reminiscent of the prose of Walden or the poetry of Gary Snyder or Wendell Berry but with Thomas’ own individual style and ear and eye for the sublime.  These are poems for a rainy Saturday, poems to be read slowly and savored like perfectly aged wine, hopefully on the porch of your own cottage, real or imagined.

–David Jibson, Editor of Third Wednesday, a literary arts journal

Thomas, I think, isn’t totally honest in this chapbook.  Maybe even subversive, which is in his nature and part of his charm.  On the surface he takes you to a cabin by the lakeside, opening the door to nostalgia like Yeats does in “Innisfree,” walking the paths through mushrooms, listening to the sermons of maples and Virginia creeper, rowing in the moonlight, celebrating Halloween with the lake’s residents.  He claims that cabin life carries him “away to places in the mind not possible to find in reality,” a theme echoed in “A Morning Walk Shows Changes” when he writes, “[O]n the breeze is a hint / of excitement as if just around the bend / or at the water’s edge I’ll find / some treasure . . . .”  Look deeper though, with the artist’s eye, the poet’s eye, and you’ll find the treasures taking different forms.  Quietly, sneakily, Thomas seems to be writing about poetry in a grand and disguised metaphor.  He leaves footprints for you to follow in the soft lakeside landscapes that lead to valuable and hospitable moments: “Everyone is invited to visit me here and take a dip into these refreshing waters.” You can dip into the beauty that surrounds a fishing cabin, a lake, and its environs or a dip into the pleasures of word and image and craft.  Thomas invites to both.

–Mark Tappmeyer, Professor of  English (ret.) Southwestern Baptist University, Bolivar, Missouri

Cityscapes – Rebecca Ruth Gould

RGouldCover1Traversing the urban geographies of the Middle East, South Asia, and Europe, Cityscapes offers searing and intimate portraits of Damascus, Yerevan, Hyderabad, Delhi, Isfahan, and many other cities through the lens of war, peace, love, and despair. The collection opens with poems about the cosmos, before moving to earthly urban topographies, and concludes in a series of still lives chronicling urban spaces. Gould combines the insight of someone who has resided in the geographies she describes with a poetic gift for generalizing her personal experience. Includes original photography of Palestine (Gaza and the West Bank), India, and Armenia.

 

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Rebecca Ruth Gould is the author of the award-winning monograph Writers & Rebels (Yale University Press, 2016). She has translated many books from Persian and Georgian, including After Tomorrow the Days Disappear: Ghazals and Other Poems of Hasan Sijzi of Delhi (Northwestern University Press, 2016) and The Death of Bagrat Zakharych and other Stories by Vazha-Pshavela (Paper & Ink, 2019). A Pushcart Prize nominee, she was a finalist for the Luminaire Award for Best Poetry (2017) and for Lunch Ticket’s Gabo Prize (2017). This is her first poetry collection.

Published by Alien Buddha Press, Cityscapes is available at amazonlogo

TheProblemofTwoness

The Arrest of Mr. Kissy Face – Mitchell Grabois

MrKissyFaceCoverMitchell Krockmalnik Grabois has had over 1,500 of his poems and fictions appear in literary magazines in the U.S. and abroad. He has been nominated for numerous prizes, and was awarded the 2017 Booranga Writers’ Centre (Australia) Prize for Fiction.

Pski’s Porch Publishing prides itself on promoting passionate, weird, unfashionable poetry, and The Arrest of Mr. Kissy Face is a prime example—far, far away from the MFA poetry mill, and a breath of fresh air.

amazonlogoI kissed the woman who slices lunch meat
at King Sooper’s
She shoved smoked turkey at me
leaned away
and called: Next!